Sometimes they exist side-by-side creating more natural tension that pushes-and-pulls throughout the MV. “Kick Back” is a sensuous experience of a grittier hook underneath an alternation between the sleek and grungy like the stone facade and steel corridor sets. WayV also walks forward toward the double doors, adding to contrast between the rigid lines of movement in a singular direction against the rotating fans, perpetual in their circular dynamism. This set is a convergence of continuums: the two fans constantly circle, unbroken, while the straight lines of the walls bleed into the background and beyond as they reach the vanishing point of the door’s windows. Additional light filters into the hallway through rectangles cut into the ceiling, creating new patterns on the slick walls.
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Light streams from behind the door through the windows and the space between the blades of the fan. The circulating fans in the background is a creative way of including interesting movement into the limited space and to disperse light through the hall as well. The corridor set is a fascinating example of this. Juxtaposition and blending coexist as WayV appear in one frame. The convergence weaves the different expressions of continuity-the loop of time and the singular march of time moving forward. The sets of the group scenes bring these separate elements together. The grain contrasts with the heightened clarity of other scenes in “Kick Back” and reflects the grittier aesthetic seen in “Turn Back Time.” To make this set new, even if just for something different for a WayV MV, a warm light streak effect and grain is added before each cut to a different shot, prompting a fresh visual interest. Anything else that catches the light creates a mystical and almost ethereal image around them. The strings of pearls looped around their necks are iridescent stars as the light bounces off of the jewelry. The camera skirts around the edges of a cluster of tall rectangular mirrors, and glimpses of these members’ reflections emerge before disappearing just as quickly. Mirrors are a common appearance in WayV MVs, such as “Regular” and “Turn Back Time.” However, this time the prop is made new for Xiaojun, Yangyang, and Winwin’s individual scenes. Other solo sets contrast with the smoothness of the circle motif, as rectangles are the dominant form. It is as if Ten is looking in on them from a different time or from a completely different world. Not only is this design eye-catching with the dynamic light, but the shape of this prop bears uncanny resemblance to the set that supported the group earlier.
Beams of light cut across the frame as the dancer peers inside of the rotating column despite the blinding brightness in the center through one of the circles carved on its exterior.
Ten’s solo set is also a design of notable attention.
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